"The thought of Immanuel Kant has had incalculable - and, many would say, negative - impact on the modern estimation of religion, religious belief, and religious knowledge. Yet, Davidovich argues in the strikingly original interpretation, the chief lines and import of Kant's work on religion have been crippingly misunderstood." "Davidovich radically refigures Kant scholarship by focusing decisively on his Third Critique, long thought his weakest, where she finds Kant confronting the results of his strong distinction between theoretical and (...) practical reason. There he attempts a comprehensive theory of reflective judgment, in which contemplative thought of a moral designer of the universe is a principle that overcomes the bifurcation of scientific (rational) and moral (practical) activities." "Moreover, this specifically religious consciousness, which harmonizes the lawfulness of nature with the purposiveness of freedom, is further developed, Davidovich maintains, by Rudolf Otto's and Paul Tillich's influential theories of religion. Today it can safeguard the status of religion and a normative science of religion." "Davidovich's work is an outstanding contribution, breaking new ground in both Kantian scholarship and the theory of religion."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved. (shrink)

Narrative history and narrative fiction can be thought of as opposite ends of a single theoretical continuum. Much of the literature on Stalin's purges and the rise of the Soviet gulag system, however, seems to be something more than fiction, yet less than strict historiography. There are five criteria which ease the difficulty in determining whether a given work is history or fiction: the qualitative degrees of truth, the scope of the work, the purpose of the work, the relationship of (...) the author to his or her subject, and the relationship of the reader to the narrative. In some cases the nature of historical events combines with the peculiar capabilities of narrative description to blur the distinction between reality and invention, and places constraints upon the historian's choice of narrative genre. Two hybrids are used as exemplars of works that are both historical and fictive: Solzhenitsyn's The Gulag Archipelago and Danilo Kis's A Tomb for Boris Davidovich. (shrink)

The total ideology of the revolutionary-political themes of Ukrainian consciousness of the twentieth century, the poetization of the absurdly inverted hierarchy of values, was opposed by the new generation of artists with their philosophical and ethical orientation of their creativity. As I.Franko notes, they "... sought a completely modern European way to portray the peculiarity of the life of the Ukrainian people," revealing the unique collisionality of human existence, the diversity of psychological types, ideological orientations, and the human experience of (...) its existence on the background of this difficult time. However, Ukrainian writersphilosophers who talently laid the foundations of national culture, but are now returning to the generations of the Shattered Renaissance, filling black and bloody spots of troubled history of Ukraine. Among them are V. Pidmogylny, B. Antonovenko-Davidovich, G. Kosinka, D. Falkivsky, M.Ivchenko, T.Osmachka, E.Pluzhnik. This is a non-exhaustive list of the leading figures of the post-revolutionary period who were removed from the creative field, whose works are the golden fund of Ukrainian culture. (shrink)